Words and paper,
thought Gwyneth McGrath, who was on the verge of learning that life doesn’t fit
neatly into simple sentences. Life, with its curls and swooshes, is cursive.
And it is made up of mostly Wednesdays. She was walking her usual route to
school—west through the suburb where she lived, where the patches of mailboxes
were adorned with matching busts of Clydesdale horses; south through the
Ashland neighborhood, browning with Fall; west again, past the school’s tennis
courts, where grass poked through the cracks and the nets hung low like tree
branches; and straight through the back parking lot of Evergreen High—immersed
in determining the subject of her first story for the school newspaper. It was
rare weather that morning—the sun was beaming through sprinkling rain—and she,
a storyteller without a story, was humbled by writer’s block.
Without the necessary science to do so, she was faced with
the unenviable task of determining the significance of things. In that town, in
that time, what stories, she wondered, were worthy of telling? Some new beat
was needed, she thought, and it was both inside of her and beyond her. A growing
desire for whimsy was triggering her first story. Indeed, she thought, there
were stories to tell in that town, but they had yet to emerge from the unturned
rocks of commonplace. She was a storyteller, and in her mind, all stories
somehow unfold. Given the chance, they stretch their legs and spread like fire.
And so it seemed that her story began when she became aware that she was a part
of it.
The newspaper room was effectively a glorified closet, lined
with five, especially dated Mac computers, each a different color, representing
different sections. As ordained by Mr. Puffpaff: Blue was for the Front page.
Yellow was for Student Life. Pink was for Features. Orange was for
Entertainment. Green was for Sports. Years ago, Mr. Puffpaff idealized his role
as Newspaper Advisor, but the grant for the Mac computers remained his only
lasting achievement. Year after year, the newspaper staff at Evergreen High
applied for regional newspaper awards at the Midwest Student Journalism
Conference, but they hadn’t won any of them since the year before Mr. Puffpaff
became advisor. A plaque was hoisted above the Blue computer at the head of the
room, commemorating the achievements of his predecessor.
The affects of such long-term disappointment contributed to
the rigidity of the newspaper’s functioning. Not unlike the computers
themselves, the Junior and Senior editors of each section fell in-line with their
job descriptions, and like clockwork, filled their sections with what seemed to
be the same stories as the issue before. Gwyneth described the experience as
“dribbling mundanity” and, even as a new member of the staff, still acclimating
to the long-established processes of publishing a bi-weekly newspaper, she was
conscious of the unfitting nature of her participation.
In many ways, however, this endeared her to Mr. Puffpaff,
whom she and other students fondly referred to as Mr. Puff-puff-paff. He too
seemed desperate for a new beat. “The ethical implications of storytelling,” he
said in the first minutes of the class period, “suppose that we as journalists
remain distanced from the story’s subject and maintain objectivity.” The
remaining hour was dedicated to the work of student journalists—roaming the
halls and excusing friends from class under the guise of important interviews.
For some it was an early lunch. Gwyneth continued to brainstorm the story to
which there was increasingly less distance.
To Gwyneth, the social implications of her story were more important
than the ethical. Although she felt as though she belonged to “the highest
level of the lowest social order,” as she put it once to her parents, Gwyneth
was more confident than the average sophomore. Nevertheless, the influence of
her liberal upbringing, which hinged on both free thought and rationale, made
it difficult to navigate the unreasonably rigid social structures of high
school society. Like history, the rules of social order were unfairly written
by those with the highest cheekbones.
Gwyneth’s blemishes, on the other hand, were strategically
placed above her eyebrows, and around her temples, and along her hairline by
God or the Universe to keep her from attracting boys. Then again, she thought,
what do boys know about beauty? What are blemishes but the grass stains of
adolescence? Gwyneth knew that she would outgrow her blemishes. Or so she hoped
anyway, for, like most people, she felt an unyielding desire to be accepted by
those around her—she was “only human,” or so she justified to her diary almost
daily, stressing the word “only” with double underlines. In her mind, writing
for the newspaper would quell the constant tension she felt between maintaining
autonomy and developing relationships with those who cared very little about autonomy.
She was considering this tension when she found Jimmy Braun
in the hallway before lunch. Jimmy Braun and his broad shoulders. Jimmy Braun
and his slippery hair. Jimmy Braun and his jeans. Was she getting the best of
him? Or was it the other way around?
When Gwyneth spoke, this is what Jimmy Braun heard: Collect the old couch on Ashland Drive…Sunday night on the school roof…Gwyneth’s
boobs.
“Under the bra?”
“You’re so gross.”
He raised one eyebrow as the bell rang and a crowd of hungry
students surrounded them.
“Okay. But only if everything goes according to plan.”
“Then see you Sunday, Gwen.”
She hated to be called Gwen.
Her usual route to the school was less familiar at one
o’clock in the morning, when the trees cast shadows on steps otherwise
dedicated to muscle memory. Her path was mysterious and, as she walked in and
out of the orange hues cast by city-funded streetlights, she felt that she had
finally found her story. She was an investigative journalist, following a lead
down her now-unfamiliar trail to school. Granted, she had planted the story,
but it still needed to be told—if not for her sake, then for the sake of her
autopilot town or for Mr. Puffpaff.
The school was brighter than she imagined and it appeared as
a gothic castle in the nighttime. Drawing closer to the back parking lot, she followed
a trail of empty beer cans, caved-in and then strewn around a small crowd
slowly growing.
“What is this, Braun?”
“Isn’t it great?”
“What if someone rats you out?”
“Oh, I ain’t worried about all that. I only told Joe and
Adrian ‘bout it. It kinda jus’ spread, ya know? Plus, Joe thought we’d need
more people to put it up there, so he called Kevin and Kevin doesn’t go
anywhere without Jennifer and Jennifer doesn’t go anywhere without Gina.”
“I get it, Braun, but why isn’t it on the roof?”
“Well, see, that’s the problem. We only have one ladder and
there’s really no way to get it up there, so we kinda jus’ been staring at it.”
Jimmy Braun with his beer.
Gwyneth realized that the old couch was in the center of a
giant circle of people, which had become north of twenty, maybe even thirty.
She didn’t recognize most of the people there, which provided a strange sense
of satisfaction, as if she was responsible for a good party.
“I hope nobody else from the paper is here.”
“What’s that, Gwen? Hey, at least I got the thing. That should be good enough for, at least, over the shirt, right?”
As Jimmy Braun continued to bargain, someone started
chanting, “Burn it!” And like the fire it set out to create, the chant spread
throughout the crowd, who, under the influence of spirits, began to hold their
lighters near the tattered upholstery of the old couch. “Burn it! Burn it! Burn
it!” At first, the material would ignite for only a brief moment and then flicker
out near the armrest, but when one football player pulled a tank of gas from
his truck and doused the poor couch, tall waves of fire grew like a tsunami. Everything
facing the fire appeared orange like the streetlights. The heat caused some
distance between the couch and the crowd, which began to sway around the fire
and sing the school’s fight song:
Evergreen, Evergreen, we dearly honor thee
Evergreen, Evergreen, will always stay with me
Tradition and excellence, our staples through-and-through
Fighting for and conserving all things that are true.
She looked around the riot and smiled at so many who had
stumbled upon an upturned rock and embraced a new beat. They were dancing
around the burning couch and tossing stones and wrappers and bottles and
articles of clothing in a juvenile, but cathartic sacrifice to the spirit of
youth and immaturity. There was an eclectic sense of unity that transcended grade-level
and autonomy. That which Gwyneth was once so concerned about now seemed
superfluous.
The black smoke from the fire was visible against the dark
sky and parts of the couch bubbled from the days old rain. Several students ran
and jumped over the burning couch. One junior’s shoe caught on fire. The crowd
continued to drink as the couch burned slowly into the night.
When the fire died down—the couch left charred in the back
parking lot of Evergreen High School—and the crowd thinned out, Jimmy Braun wrapped
one arm around Gwyneth’s shoulder, his beer clipping her chin slightly, and
with the other he reached up Gwyneth’s shirt. Jimmy Braun with his
forthrightness. There were sirens in the distance.
“Are you nervous?” he asked.
“Just the right amount of danger,” she whispered and kissed
his mouth. As with the embers, the last remains of summer rose into the
atmosphere and disappeared.
On her walk home, two rogue clouds, floating lonely and
backlit by a dime-sized moon, looked painted in the sky. Her route was more
familiar now in the dark. Words and paper, she thought. Words and paper
can never fully capture the essence of life, the experience of story, and she
would never let it. What would Mr. Puffpaff think if he learned that she was
responsible for the couch fire? What trouble would find her? On the other hand,
words and paper are all that some will ever know of experience. Break the
story and bury the lead, she decided. She would inch close to the cusp of
truth, the extent of all that words
and paper can accomplish, and write the story as if it were news.
|||||
Next time on The
Hindsight Bridge: Thrift Stores always seem to hold
hope for revitalization. Benjamin Champagne’s “Vintage” unravels the thread of
past lovers and future hand-me-downs. How can the real and the imagined be
discerned? You may never know, but at least it’s cheap! Thank you for enjoying the first of our summer season! Revisit on Monday, June 10th for more.
We could start a blog dedicated to couches and just scrap all of this literary nonsense, ya know?
ReplyDeleteSexual frustration in youth is a usefule motor. Desire and all its components move in such dazzle. That said, the story is engaging with the introduction of Jimmy. it also wraps up nicely with her decision to tell it all and tell it all slant. cuz what else can you really do?
I began reading this story, thinking it needed more to do with who Gwyneth WAS and not WHAT she was a part of. Then it moved toward who she was with the decisions that followed, and it informed us of someone who was in an unconscious decision that became more conscious with each new decision - the couch, the fire, the conviviality of the entire evening, an intimate encounter between she and Jimmy, then what would come as a result of everything.
ReplyDeleteI really love this piece, and think "Evergreen" is a great highlight word for this, as I got caught between decades of when this would take place and where. Great universality to it's themes, settings, and characters.
Favorite piece of prose: "In her mind, writing for the newspaper would quell the constant tension she felt between maintaining autonomy and developing relationships with those who cared very little about autonomy."
Really sharp piece, there.
Thanks for the reactions, guys! I'm really happy with this as a starting point for her story. There's certainly more to explore. In my mind, the second chapter, or whatever comes next, would explore some of the implications of publishing a story on a couch fire at a high school--the repercussions, the attention, her relationship to the advisor, Mr. Puffpaff (who was the newspaper advisor at my high school). I'm just really excited by it!
ReplyDelete--Robbie
PS. I can take more critical feedback too--what seems unnecessary? what is lacking? what struck you as a weak point?
Some disturbingly authentic scenes and images in this piece, I think you've captured these aspects of high school life very well.
ReplyDeleteI find myself concerned with the ending. If you're going to pick right back up where you left off in the next submission then I guess this works; otherwise, I need to know what happens as a result of the couch burning, does she get the story written, how is it received? You should be able to cover that in about 1 page and maybe have this story end with Mr. Puffpaff curious about the details of her story, perhaps have him suspect that she was there or had something to do with it. Then you'll be set up for your next installment. We spoke about doing a series of Gwyneth installments on the basis of each of them showcasing her work on a particular story. I don't see a problem with some overlap—I actually think that will keep readers wanting more—but I do think there needs to be a more definitive ending here.
I have a word document with more line-specific comments that I will email you. Good stuff!