10 June 2013

Vintage | by Benjamin Champagne


Whitney liked to arrive early. Sit in the parking lot and get herself together. She had an unusually large vanity mirror, with lights on her visor. A major selling point. Applying eyeliner, she could ponder the contradictions of her girlfriends.

She could think of things even she didn’t agree with. And this is a hard thing to do. She poked her lips out, considering balm. She thought past that, then stopped at a name. Whitney could not always divide herself. Her girlfriends would approve, but her mother wouldn’t. Or vice versa. Or nobody would approve and certainly never her father. And getting herself to approve on top of it would prove harder still. So she didn’t tell anyone she was meeting Kelly to go thrifting.

She continued fussing with her hair, alternating between innocent eyes and vixen, devouring smiles, as she does in parking lots. Brief practice for the conversation ahead. A bearded man knocked on her passenger window mid careless-sex-pose. She collapsed the visor elegantly and gathered her things into her purse. Never looking up, never feeling startled. High on herself. She opened the door, took one step and spread her arms out. Kelly swept around the car and hugged her.

“I cannot believe you’re wearing that nasty beard.”

He rubbed it into her neck and she fell out of his arms like liquid.

“Straight granola these days,” Kelly said. He stepped back and put his hands in his pockets. He looked her up and down, asked her if she was getting better looking.

She dug through her purse and found her cell phone, put it on silent in a covert act. She wasn’t trying to blow anyone off specifically. She just thought it better not to be distracted. Kelly hadn’t seen her in a while. She hadn’t thought of him in a while. They broke up over a year ago. She knew the break-up was coming and so her life didn’t halt one bit. It may have sped up.

“So what do you want to show me?” Whitney perked up as the sun sank in her skin.

He told her she would find out once inside. They walked in and neither had to fight any nostalgic urges. Kelly was too rambunctious to hold hands while shopping. Everything stimulated him. This is what attracted Whitney to him. Though in practice she found it was too much. She had to scold him. She had to be a bitch. And worse yet, she liked doing it. She found her own angry face to be sexy and thought he must as well. Still, she felt guilty deriving pleasure in such incidents. This sort of conundrum would invoke itself on the two in everything they did.

The old ladies working the register were talking intensely about recipes or grandsons or blacks or discounts or medicine or republicans or vacations or Christmas or crocheting or work or church. They were not talking about true love. Whitney and Kelly slipped in unnoticed. Kelly went into the corner and pulled a fedora from a rack. There were feather boas and winter hats, a Playskool telephone was wedged onto the end. Kelly handed it to Whitney, “It’s for you.”

He told her that was it. The reason he had her come out.

“Really, come on. You know I’m bad at waiting,” and she rocked her shoulders a little. Mostly she could wait. She liked to make sure that Kelly still wanted to satisfy her. Whitney was a smart girl. She could rely on herself for trivial demands. She finished school.

Kelly laughed at her. She realized she over-did it with the Monroe-esque line. She laughed at herself and threw a feather boa around her neck. He peeled the fedora off and put a plaid cabbie hat on. They walked down the aisle with all the busted electronics. Kelly liked to scour for obscure VHS tapes. He collected a few. Whitney always thought they were junk, but she stole one from him. A copy of This Old House. Bob Vila inside Frida Kahlo’s. After her divorce. It was strange, but Kelly never asked for it back.

“Doesn’t Saul wear these hats?” Kelly asked. She knew it would come up sometime. Kelly didn’t bother with tact.

“Sure. He wears whatever he wants. I don’t keep track,” she said. But she did. She kept track. And she liked the hat with a particular set of dark glasses. And she didn’t mind it on Kelly either.

“Is that really what’s going on? I mean, I know it is. It’s our little quarterly check-up. I tell you about me and the artist. You tell me about some drunken hook-ups.” There, she thought, this is what we both wanted. His lack of articulating what they were both thinking is why she left him.

Kelly lifted his hands in arrest position. “Okay,” he said. “I don’t have any drinking stories. I’ve mostly been by myself. All my drinking is E. A. Poe style.” He thought this would intrigue her. She always said he was a weepy-philosophical drunk. It was one of those attract-repel things. Not now. Whitney saw in hindsight pure repellant raven.

“Oh my god. Are you still doing that shit? There, Saul would never do that. You think you’re classic, but you’re just corny. ‘Corny Kelly is crying because T.V. is ruining the world’,” she mocked. “Yeah, we get it. Jersey Shore is what’s wrong with America. But I got shit to do.”

Kelly smiled inside. It pierced Whitney, just a little, to pretend those things were so frivolous. But really, who had the time? She started thumbing through men’s shirts. Kelly knew she was looking for specific paisley patterns. They could’ve written dictionaries to each other’s daydreams.

“Are you still making scarves?” Kelly asked. They used to take weekly trips to thrift stores together. They would usually stop for the ‘bag for a buck’ deals. Whitney made scarves. The frayed old-western types that musicians wear. Along with vintage dresses and boots she would sell online. You get a variety of patterns cheaply at the thrift store, Whitney would say. It was an excuse. She always loved revitalization. Finding the brilliant flairs amid all the worn out. Sewing memories together for ‘hand-me-down happiness.’ The smell. Garage and attic. Hiding. Sharing that smell.

“Yeah, but ever since I started at the co-op I don’t have time. I mostly just make them as gifts now.” Co-op made Kelly’s stomach turn a little. Picturing all these artists rubbing elbows with each other. Pretending they have their lives together. For the instant they are together, knowing that they do have their lives together. Kelly was looking for t-shirts with wolves on them. Preferably in Tie-Die. Whitney held up a shirt with gold piping and white and red paisley on brown. “Perfect,” he said.

“All right, I’m going to walk behind you and cover your eyes. I don’t want you to peek. You are really going to like this,” Kelly said. He got behind her and resisted the urge to nuzzle his big beard into her back, grab her by the waist and hump her. He was unsure if it was typical male or a fog from the oxytocin released in his brain upon sight of her. He walked her down the aisle without any sexual advances.

“Now keep your eyes closed until I say.” He leapt in front and said Ta-Da.

He leaned back, reclining on an orange corduroy sectional couch, circa 1970 whatever. She smiled brightly and it faded into a giggle. Whitney walked over and sat next to Kelly. Only three parts were in an orderly fashion.

“What do you think?”

She really didn’t know what to say. She had always wanted a vintage couch. None she had ever seen to that point fit her exact description of ‘vintage-couch’ like this one. Kelly was beaming. Proud of his discovery. She thought it was cute, but she knew the mess ‘cute’ could make. She thought about asking the price, but that implied wanting it.

“Oh my god, Kelly, too much. How did you find this? I suppose you expect me to fuck you now?” she laughed and laid back.

“You always said, vintage couches and shag carpet made you horny,” Kelly didn’t really honor that statement. He straightened up and told her upon finding the couch he thought of her. He sighed.

“It’s too late. I think I’m moving in with Saul. I don’t have room for it anyway,” Whitney sat back up.

“You’ve always wanted one. Suddenly you don’t?” He threw his leg over a fray in the upholstery.

“I don’t know. I don’t have the room. I can’t just rebuild all my décor around one piece of furniture. I don’t think Saul will even like it. He’ll think it’s tacky or ugly. He thinks the retro is there to serve the new. Not to be applauded,” and she cast her gaze at her feet. “Are you ever going to grow out of that stuff, evolve?”  She looked at him.

“Whoa, whoa. Don’t think the couch thing is some metaphor. I mean, yeah, I can’t turn down public sex on a corduroy couch, but… This isn’t some effort to win you back. I just thought you wanted to see a great couch. I thought you would appreciate it,” Kelly demonstrated sincerity. She could tell he meant what he said. She always had a problem with his lack of concealing. She could see right into him. He was transparent except for a little core, like the seed of an apple that reflected Whitney right back. “Besides, I might consider not fucking you in this thrift store. Old Jenny would get pissed,” Kelly said and fingered a macramé hemp bracelet.

Whitney reeled a little. She had never suspected that the little core was capable of reflecting back whatever gazed upon it. Whoever. That his core could reflect back another. She stiffened up and gathered all the sex from the vanity mirror of her car. Composed she said, “Oh yeah? I bet I could seduce you.” And he didn’t respond. They were both rubbing their hands over the fabric of the couch until Whitney noticed. She reached into her purse absent minded. Her hand touched her cell phone. She pulled it out. One missed call. Two missed texts. Saul had texted that he saw her car at the thrift store but couldn’t stop. The second noted that she hadn’t told him she was going out that day.

“Excuse me,” she said and texted back to Saul. She said she was with Taylor grabbing shirts to make scarves. Then she texted Taylor to cement her story. She turned a little from Kelly so he couldn’t see her typing. “I’m going to grab a few more shirts,” she said.

The two walked out together into the purifying sun. It made them realize how truly dark it had been. The fresh air turned their bloodstream into southern California. Traffic and people and birds and garbage and carbon monoxide and vibrant colors and advertisements and train whistles and puddles and chocolate and that fucking-not-attic-air reminded them that it’s good to go to the thrift store, if only to leave.

They hugged near Kelly’s beat up car. He stole a kiss at her cheek. She spotted a big tangle of hemp looking stuff in the back seat. “What’s that?”

“Jenny made it,” Kelly said. “It’s a hammock.”

“Hmmm…,” she wrinkled her nose. She thought Kelly’s car was a mess and all that rope wasn’t helping. She walked back to her car and closed the door. The solitude and the pent-up heat overcame her. She pulled the visor down and mussed her hair. Pursed her lips. When she started her car, she realized she never even asked the price of the couch. She wanted to know the cost.

|||||

Next time on The Hindsight Bridge: Paul Walter Hauser's “Wherewithal” is the story of Brent Halenbach, a young man who has found himself in the prime of his life, which may prove delusional at the slightest sign of rejection from that which young men seek approval the most: young women. Re-visit THB on June 17the for more!

3 comments:

  1. I'm just now understanding your comment on "Gwyneth" about couches! Ha! Also, I think that it's interesting that our first two pieces this summer are of men writing women. It's interesting to think about our impressions of women based on what we've written. I wonder what additional considerations we might make in the future--hopefully, we get a woman's perspective on these stories at some point.

    As for some of the specifics of this piece, I'm envious of your ability to access the individual voices here. I struggle with writing dialogue, which is one of the reasons that there is very little dialogue in most of my writing. Much of your piece, on the other hand, is centered on dialogue. You nicely reveal a lot about Kelly and Whitney through their words. I'm thinking especially about the first words spoken--"nasty beard" and "straight granola," as well as a very telling scene near the end: "you expect me to fuck you now" and "I just thought you wanted to see a good couch."

    And by the way, I really appreciate the simplicity of this story. There aren't any explosions--it's very character driven. It's very introspective and especially interesting.

    A couple of my favorite lines:

    "Whitney saw in hindsight pure repellant raven."

    "You think you’re classic, but you’re just corny. ‘Corny Kelly is crying because T.V. is ruining the world’,” she mocked. “Yeah, we get it. Jersey Shore is what’s wrong with America. But I got shit to do.”

    And my favorite: "They could’ve written dictionaries to each other’s daydreams."

    Good work!

    --Robbie

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  2. Interesting piece, I'm liking the dynamic that Kelly and Whitney have, and are able to revisit, even after a year long breakup. It might be important to mention how long they were together—I'd guess about 3 years—as to qualify this connection they have and her willingness to lie to Saul even though she otherwise seems to reject Kelly, somewhat.

    I appreciate the brevity of your sentence structure, very Hemingway-esque. There were a few instances, however, where I thought a comma would have done more for the prose than a period, but that's simply a personal, stylistic issue.

    To me, I see this as a pretty complete piece. I like the symbolism in the ending but I think there still could be some work done to make that symbolism really 'pop'. What I'm reading tells me that her curiosity about the price is also a curiosity about reconnecting with Kelly, wether sexually or otherwise. There are hints that point to this conclusion, but you might drop a few more hints throughout (maybe mention that she is lying about moving in with Saul, mention that she is reminded of her breakup with Kelly because her relationship with Saul is on the outs, show her dealing with a need to seem well-off to Kelly). I don't think much is needed in this respect—she shouldn't desperately throw herself at him—but a little something more peppered throughout will highlight the ending while still keeping things subtle. I hope all that makes sense.

    Loved it!

    -Sean

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  3. Thanks Robbie. I appreciate the complinments. And Sean, thanks for noticing my sentences. I checked this story for readability and it was like 4th grade. (maybe a tad low?) I could put in some more about whitney and saul, that isn't a bad idea. I'm unsure if i'll revisit this piece soon. We'll see, but that will be a change i will keep in mind. Thanks guys!

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